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| ACPA President Nancy Harbour & ACPA donor, Ruth Hart |
As reviewers, we are supposed to remain neutral in relaying the details of performances and avoid extreme vocabulary such as “awesome,” “incredible,” and “edge-of-your-seat-fantastic!”However, this review is going to be the exception.
According to the event’s program, “longtime friends Chris Wink, Philip Stanton and Matt Goldman founded Blue Man Group as a way to celebrate the human spirit through music, science, art, and theater.” The show that took place on the night of May 10th certainly embodied that celebration to the fullest. The show was created, written and directed by Wink, Stanton, and Goldman, however it took a host of musicians, designers, and production staff to make the show the success that is was.
After a brief video narrating the evolution of art (complete with English accent) displayed on the screen, an audience member was selected and brought up to the stage at which point he was assisted by the Blue Men in putting on a protective suit with a helmet. He was then escorted backstage where he became a “human paintbrush” as the narrator called it where he was suspended from his feet, covered in paint, and thrust against a giant canvas; thereby creating a unique, one-of-a-kind piece of artwork.
And as if that wasn’t “awesome” enough. Blue Man Group’s performance also included an explanation, demonstration, and subsequent audience participation of the seven quintessential “Rock Concert Movements,” including the “fist pump,” “raising the roof,” and the “behind the head leg stretch.” During the show the group also created “The Ultimate Dance Party” where we, the audience, were instructed to shake our “rumps” our “moneymakers,” our “Elvis Aaron Presleys” (the list continued for approximately four minutes) to the techno beat while passing giant colored air balls through the auditorium and being sprayed with long streams of paper confetti.
To say that Blue Man Group thoroughly rocked the Atwood Concert Hall for an audience that spanned several generations (I won’t give too much away, but the song “Free Bird” was involved) would be an understatement. They took us on a visual and auditory journey unlike anything that could be fully described, only experienced. I would thoroughly recommend taking the opportunity to see the show and find out for yourself, or viewing the production of a new IMAX 3-D film due to be released in 2011.
